With his groups The Ben Allison Band, Man Size Safe, Peace Pipe, and Medicine Wheel, Ben has toured extensively throughout North America, Europe, and Brazil, winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
Recent performance highlights include Carnegie Hall (New York City), Teatro Manzoni (Milan, Italy), Central Park’s SummerStage (New York City), Auditório Ibirapuera (Sao Paulo, Brazil), The Capitol Theater (Salt Lake City, NV) and Queen Elizabeth Hall (London, England).
In 2005 and 2008, Ben was a featured composer, arranger and performer with Jazz Sinfonica, an 80-piece orchestra based in Sao Paulo, Brazil. The orchestra performed Ben’s compositions Little Things Run the World, Riding the Nuclear Tiger, Roll Credits, Green Al, and others from his various albums.
Ben performed his Carnegie Hall debut as a leader in February 2012.
Born in 1966 in New Haven, Connecticut, Ben has performed and collaborated with a stylistically wide variety of artists including oudist Ara Dinkjian, kora player Mamadou Diabate, saxophonists Lee Konitz and Joe Lovano, legendary performance artist Joey Arias, tap dancers Jimmy Slide and Gregory Hines and US Poet Laureate Robert Pinsky, to name a few. He has appeared on over 50 albums by various artists and has written music for film, national television and radio, including the theme for the National Public Radio (NPR) show On the Media (which boasts a listenership of over 2,000,000 people), the score for Two Days, a play written by Pulitzer Prize-winning author Donald Margulies and the theme for The Conversation, a webcast talk show hosted by rapper Pharrell Williams.
Called “one of today’s best young jazz musicians” by the Boston Globe and a “visionary composer, adventurous improviser, and strong organizational force on the New York City jazz scene” by JazzTimes, Ben has released ten albums — Action-Refraction (2011), Think Free (2009), Little Things Run the World (2008), Cowboy Justice (2006), Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), Medicine Wheel (1998) and Seven Arrows (1996) on Palmetto Records — all of which showcase Ben’s forward-thinking vision as a bassist, composer, arranger, producer, and mixing engineer, as well as his hands-on approach to his craft.
Ben’s most recent album Action-Refraction, reached #1 on the CMJ national jazz radio charts and remained in the top 20 for over three months, making it one of the most-played CDs of 2011. Action-Refraction was named one of the Best Albums of 2011 (of any genre) by NPR and Time Out New York. His previous six albums also climbed to the #1 spot on US radio, garnering 8 SESAC National Performance Awards. His albums have consistently been named as among the best of the year by publications such as Billboard, The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association, Downbeat Critics Poll, All About Jazz, Coda (Canada), Jazzit (Italy) and Jazz Review (UK), among many others.
ADVOCATE / AUTHOR / NON-PROFIT ARTS LEADERSHIP
Over the past two decades, Ben has solidified his reputation as a strong voice for artist empowerment and musician’s rights. In 2001 he served as an advisor to the Doris Duke Foundation, helping to establish Chamber Music America’s New Works – Creation and Presentation program. He has served as a panelist and featured speaker at conferences led by the International Association of Jazz Educators, Chamber Music America, the Association of Performing Arts Presenters, JazzTimes, the Doris Duke Foundation, the NY State Arts Presenters and the Jazz Composers Collective (see below).
He currently serves on the Board of the New York chapter of the National Academy of Recording Arts and Sciences (NARAS). As a member of the NARAS Advocacy Committee, Ben has met with state and federal senators and representatives on subjects including intellectual property rights, technology, and arts funding. In June 2012, Ben testified before the House Committee on Energy and Commerce in support of performing rights. His testimony was reported on by BBC, Billboard, Bloomberg and the New York Times among many other national and international news outlets. He has appeared on shows produced by WBGO and WNYC to discuss issues relating to music piracy and intellectual property rights.
At the age of twenty-five, Ben formed the Jazz Composers Collective — a musician-run, non-profit organization based in New York City that was dedicated to constructing an environment where artists could exercise their ideals of creating and risking through the development and exploration of new music. As the Artistic Director and a Composer-in-Residence of the Collective, Ben produced or co-produced over 100 concerts and special events, including the Collective’s annual concert series (which ran for eleven seasons), national and international tours by Collective artists, an on-going Collective residency at the Museum of Modern Art (MoMA, NYC), and, in partnership with the United States Embassy, a series of concerts and educational activities in Sao Paulo and Campinas, Brazil. From 2001-2005 Ben organized an annual “Jazz Composers Collective Festival” at the Jazz Standard — which drew international attention as “..a mainstay of New York City’s cultural life” (New Yorker Magazine).
As an author, Ben has contributed music-related articles to magazines such as Downbeat, JazzTimes, Bass Player, Premiere Guitar, Bass World and Double Bassist. He co-wrote (with pianist Frank Kimbrough) the liner notes for the CD Herbie Nichols: The Complete Blue Note Recordings.
AWARDS / CITATIONS
In 2005, Ben received the Bird Award, Holland’s highest honor for jazz musicians. Previous recipients have included Miles Davis, Art Blakey, Pat Metheny, Stefano Bollani, Ray Brown, Ornette Coleman, Sonny Rollins, Misha Mengelberg, and Han Bennick.
Ben has been cited in the Downbeat Critics Poll “Bassist” category (2010-2011), “Composer” category (2010) and won the “Rising Star Bassist” category in 2005, 2006 and 2007. He’s also been cited in the “Rising Star Album,” “Rising Star Acoustic Group,” “Rising Star Arranger,” and “Rising Star Jazz Artist,” categories since 2003 as well as the “Bassist” category of the 2005-2012 Downbeat Readers Poll.
He has received commissioning, performing, and recording grants from Chamber Music America, the Mary Flagler Cary Charitable Trust, the National Endowment for the Arts, the Aaron Copland Foundation, The Mid-Atlantic Arts Foundation, Meet the Composer, and the American Composers Forum, among others.
Ben has been an adjunct professor at the New School Jazz and Contemporary Music Program since 1996. He has taught classes and led ensembles on subjects ranging from the music of Thelonious Monk and Herbie Nichols to modern R&B as well as giving individual bass instruction. Since 2011, Ben has been a visiting artist and ensemble instructor at New York University’s Summer Jazz Workshop and has conducted clinics and residencies at countless universities and conservatories throughout the United States, Italy, Brazil, Belgium, the UK, Portugal, Denmark and Japan. From 2009-2010 Ben was a Teaching Artist at the Weill Music Center / Carnegie Hall.
Source: http://benallison.com/about/ accessed 9th April 2013